. Bio
Enrique Silguero was born in Salamanca (Spain) in 1976. He graduated in Media Studies at the Pontifical University of Salamanca (UPSA), and studied a Cinematographer Degree at TAI (Madrid, Spain).
He has worked as a Cinematographer in many films, such as "CAMERA CAFÉ, LA PELÍCULA", by Ernesto Sevilla; "BORNOVA BORNOVA" by Inan Temelkuran and "TODO EL MUNDO LO SABE" by Miguel Larraya.
He has been the DoP in many TV series as "POR H O POR B", by Manuela Burló; "DOS AÑOS Y UN DÍA", by Raúl Navarro; "EL VECINO", by Miguel Esteban; or "CAPÍTULO 0", by Ernesto Sevilla y Joaquín Reyes; or "CUARTO MILENIO" considered crest program at the Tv channel “Cuatro”. Also second units in "CUANDO NADIE NOS VE" by Enrique Urbizu, "EL MINISTERIO DEL TIEMPO", "SEQUÍA" o "SEÑOR, DAME PACIENCIA".
He has worked as a Cinematographer in many films, such as "CAMERA CAFÉ, LA PELÍCULA", by Ernesto Sevilla; "BORNOVA BORNOVA" by Inan Temelkuran and "TODO EL MUNDO LO SABE" by Miguel Larraya.
He has been the DoP in many TV series as "POR H O POR B", by Manuela Burló; "DOS AÑOS Y UN DÍA", by Raúl Navarro; "EL VECINO", by Miguel Esteban; or "CAPÍTULO 0", by Ernesto Sevilla y Joaquín Reyes; or "CUARTO MILENIO" considered crest program at the Tv channel “Cuatro”. Also second units in "CUANDO NADIE NOS VE" by Enrique Urbizu, "EL MINISTERIO DEL TIEMPO", "SEQUÍA" o "SEÑOR, DAME PACIENCIA".
He has also filmed major Tv commercials like COCACOLA, SONY, MOVISTAR, IKEA, ING or EL CORTE INGLÉS and music videos for artists like MIGUEL BOSÉ, MALÚ, LA OREJA DE VAN GOGH, EL PESCADO o CASEY SPOONER.
With many years of experience, Enrique Silguero has worked in films like “Isi Disi”, "Mortadelo y Filemón 2", "La soledad", "Bosque de sombras" or "No habrá paz para los malvados". He collaborated with specialized magazine “Cameraman” for several years, and also lectured on lighting continuity at the International Film & Television School of San Antonio de los Baños (EICTV) in Cuba.
In another hand, his photographic creations offer a meditation about human emotions. Through his pictures he intends to understand the mechanisms that unleash different kinds of psychological conflicts. This way, his collections speak about fear, memories, nostalgia, passion or anxiety.
His images are X-rays that analyze the human mind and explore traumas. To shape these beats, he narrates them in a fragmented languaje, through vignettes. It´s a vertebration that speaks about each process, as a visual poem would be.
While determined to analyze human psyque, his philosophy of art is based in the beauty of abstraction. He searches for reality hidden in material, the soul of the objects, prints rapidly marked by materia in an immense space. And this is how, through labyrinths of light, he builds the idea of eternal return to our obsessions.
The ultimate goal of his photography is to invite the viewer to a journey. He wishes to offer the chance to get carried away by emotions, to force a poetic experience for the senses.
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